艺术家: Stanisław Bohusz Siestrzeńcewicz
日期: 1900
尺寸: 49 x 33 cm
博物馆: Lithuanian Art Fund (Vilnius, Lithuania)
术: 油画布上的油
Staniswaw Bohusz-Siestrzeńcewicz的艺术最近越来越被艺术批评者所关注. 他主要以夺取立陶宛和乌克兰的小镇而出名,描绘日常生活和现实的画面,无论是经常是虚构的,还是艺术史学家Jolita Mulevičiūtė认为,是一种“构筑出的现实”。 他的特质是活泼活泼活泼的场景,并努力抓住眼下的运动。 “小花翁”是一种完全不同的绘画。 凭借这部作品,艺术家接近了19世纪后期-20世纪初的象征主义,展现出"新艺术"运动(又称"尤根德"或"塞克逊")的特点. 画中描绘出一种被称作"活生生"(fanun)的神话生物,坐在溪边并深思熟虑地看着他在水中的倒影. 照片以忧郁、悲哀并同时呈现出一些不可告人的秘密;它产生了生命和自然之谜(Text writer Rūta Janonienė博士)。
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