艺术家: Unkoku Tōeki
日期: 601
尺寸: 107.6cm x 46.4cm
术: 纸张
这部作品将三个看似不相干的主题合为一,多回旋构成,这种格式常见于早期的禅宗奉献画中并被十六世纪的专业画家所广泛采用. 在这里,中心位置由禅佛教第六世帕特里亚克(638–713)担任,他由起源于中国的所谓"鸟花相会"("鸟花相会")所从侧入——一个秋天的场景,右边是两只雁花和秋天的芦苇,而左边是一只被一棵老树桩上嵌入了一只孤独的 myna鸟. 通克是位于日本西部的通克克克画派成员,曾出任有势力的通克克克族领袖的画家入会. 由他的父亲通干(Tōgan)在十六世纪的衰落年代所创立,恩克库克画家将自己打上继承了伟大的中世纪禅墨画家塞什(1420–1506)所留下的遗产的烙印,塞什克于晚年在此地建立了工作室"恩克库克安". 在长兄通克克克早逝后,通克克克继承了对通克克克克学校的控制. Tōeki的后人领导了学校的主要分校直到19世纪后期.
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