艺术家: Vincent Van Gogh
日期: 1889
博物馆: Kröller-Müller Museum (Otterlo, Netherlands)
术: 油画布上的油
个人情绪 梵高长期以来一直玩弄于画夜空的想法. 华特·惠特曼(Walt Whitman)和托马斯·卡莱尔(Thomas Carlyle)都是他所崇拜的作者, 梵高想在画作中引入个人情感. 夜光效应 月亮刚刚从阿尔皮勒斯河上升起 照亮了前面的麦子 梵高花很长时间在画布上工作. 在最后阶段,他画出由小而淡的紫色刷子所组成的迷宫,以提升夜光效果. 随着时间推移,这些条纹逐渐变白,使得场面的"夜行"比他本想的要少. 太牵强了 梵高主要在他的工作室里描绘了这种地貌. 他认为取自现实的绘画是最重要的,但是高更鼓励他在他们短暂合作期间从想象和记忆中工作. 他最终对结果不甚满意。 他觉得其构成过于夸张,风格过于牵强:它缺乏‘深有感觉的线条'.
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