艺术家: Vincent Van Gogh
日期: 1889
博物馆: Kröller-Müller Museum (Otterlo, Netherlands)
术: 油画布上的油
不受现实主义的约束 在阿莱斯,梵高与巴黎的艺术环境相去甚远. 他一劳永逸地开始追求自己的风格,并且不受现实主义的约束. 如此一来,生命中的色彩并不是“自然后”的。 红蓝相接的触觉可以从马铃薯的棕色中看到,而碗中明亮的黄色将蓝色的影子投入了白色的桌布上. :"篮子编织风格" 桌子顶部由狭长,麻木和以横向刷子为主作成. 其背景是一连串能让人回想起wickerwork的大纵向和横向中风,因此也被称为梵高的"篮子编织风格". 刷子在构成中形成一个独立元素;它们与它们所代表的图像同等重要. 最后测试 梵高现在选择土豆作为学科的事实,可以看作是对自己的最终考验. 似乎他想在某种动机上实践他的新想法,过去他已经积累了许多经验,然后才进入更雄心勃勃的成分。
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