玫瑰和小马 – (Vincent Van Gogh) 上一页 下一页


艺术家:

日期: 1886

博物馆: Kröller-Müller Museum (Otterlo, Netherlands)

术: 油画布上的油

颜色研究 在巴黎,我们... 车 Gogh没有足够的钱支付模特, 而他却在画花时进行一系列色彩研究。 据他哥哥Theo说,他每周从熟人那里收到一束漂亮的花作为模特。 颜色理论 在这些色彩研究中,梵高寻求应用他的色彩理论. 这一理论主要出自于查尔斯·布朗克. 布兰克主张使用互补对比,即以相色为尺度,将主色调相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相相相相相相 红色和绿色 在这种静态的生活中,互补的颜色红和绿的对比是占主导地位的. 然而花朵的红色在几年来已明显地淡出. 与印象派不同,梵高将颜料用在了沉重的无孔地上. 他为此从普罗文察尔画家阿尔方斯·蒙蒂切利(Alphonse Monticelli)那里取出灵感,他非常钦佩他.

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