带波皮斯的球场 – (Vincent Van Gogh) 上一页 下一页


艺术家:

日期: 1889

尺寸: 72 x 91 cm

博物馆: Kunsthalle Bremen (Bremen, Germany)

术: 油画布上的油

1889年5月初,他严重崩溃后四个半月,文森特·范高进入了普罗旺斯圣雷米的避难所. 当他6月初被允许离开机构场地时,菲尔德与波皮斯一起是他决定作画的最早动机之一. 从略高的有利角度,他描绘了谷地上有谷物田地的观点: 它是一幅由红色和绿色互补颜色的对比效应所支配的无纹色的挂毯. 视线则吸引观众的目光。 当古斯塔夫·保利以30,000马克收购了与波皮斯的菲尔德,从而继续推行他的进步购买政策后,他引发了艺术丑闻,从此而出名. Worpswede画家Carl Vinnen发起了 " 德国艺术家抗议 " ,这是一本小册子,许多艺术家和艺术批评家在书中反对所谓的 " 德国艺术的外国渗透 " ,他们认为德国博物馆增加了对法国艺术的收购,这一指控没有得到事实的证实。 几个月后,出版了《德国艺术家抗议书》,前卫派的著名艺术家,如August Macke、Franz Marc、Max Pechstein和Vassily Kandinsky为这份书出力。

This artwork is in the public domain.

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