Artist: Armando Morales
datum: 1970
museum: Inter-American Development Bank (Washington, United States)
Teknik: Paper
Nicaragua’s preeminent painter and printmaker of the twentieth century, Morales evolved out of abstraction in the 1970s as his work took a metaphysical turn, exploring the reaches of “magical realism” in tropical landscapes, still lifes, and female nudes. A leitmotif of his practice, the female figure is both classically inspired—as seen in the shadowing and delicate cross-hatching of
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