ศิลปิน: Shen Zhou
วันที่: 1500
ขนาด: 21 x 641 cm
พิพิธภัณฑ์: The Metropolitan Museum of Art (New York, United States Of America)
เทคนิค: Paper
In this long handscroll, Shen Zhou explored four Yuan painters" brush idioms-those of Ni Zan (1306–1374), Huang Gongwang (1269–1354), Wang Meng (ca. 1308–1385), and Wu Zhen (1280–1354). Beginning with the familiar Ni Zan image of sparse trees, barren rocks, and an empty pavilion, Shen Zhou developed Ni"s angular "folded-belt" texture strokes into a longer texture pattern that signaled the style of Huang Gongwang and an expansive change of mood. Then, with his brush tip turned inward to form round, dense, curling, and stippled texture strokes, Shen created rock forms that contained the controlled energy of those by Wang Meng. Finally, using simple round brushstrokes to represent rolling shores and blunt and stocky trees, he evoked the serene and melancholy mood of Wu Zhen.By practicing the different brush idioms of the Yuan masters, Shen was able to treat the theme of autumn mountains with a wide range of expressive moods and interpretations.
ศิลปิน |
|
|---|---|
ดาวน์โหลด |
|
สิทธิ์ |
ฟรีสำหรับการใช้ที่ไม่ใช่เชิงพาณิชย์ ดูด้านล่าง |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
