Sanatçı: Pedro Antonio Fresquis
Tarih: 1935
Müze: National Museum of Contemporary Art - Museu do Chiado (Lisboa, Portugal)
teknik: Pencil
The contacts established in Paris, between 1934-35, with the intellectual and artistic milieu of the avant-garde lead Pedro to sign, along with Arp, Calder, the Delaunays, Duchamp, Miró, Moholy-Nagy and Picabia, among others, the Dimensionalist Manifesto, a trend that aims to erase the frontier between the arts through the introduction of space-time as the fourth dimension. For Pedro, it represented the possibility of building a bridge from his poetic activity to the plastic arts, opening Portuguese art to a new space for the art-literature relationship, in accordance with the theories and experiences of the international art of the time. The dimensional poem
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