艺术家: Tani Bunchō
日期: 1802
博物馆: Harvard Art Museums (Cambridge, United States)
术: 纸张
Literati画从京都向东传播到江户, 他研究了日本古典、亚洲大陆和西方的作品;他还采用了自然素描技术、选择性现实主义和丸山-Shijō绘画对装饰主义的强调。 富士山圣峰的这幅纪念画是一幅 " 真实的景象 " ——这种形象并非植根于光学现实,而是植根于一个遗址的主观经验。 可能是因为他和火山相遇 他痛苦地运用模型和微妙的空间衰退来传达山地轮廓和周围地形的特异性,同时让他的墨迹笔画能揭示出他手的痕迹,这是利特拉蒂画家的商标.
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