Daniel Dezeuze

Style: Minimalism;

Place: Alès

Born: 1942

Biography:

Daniel Dezeuze is a French artist and a founding member of the French group of artists called Supports/Surfaces. He was born in Alès, Gard, France in 1942. He studied Spanish literature at the university in Montpellier while attending classes at the art college. After spending several years abroad (Spain, Mexico, Canada) he finished his doctorate in Comparative Literature at the Sorbonne in Paris in 1970. Dezeuze's radical work from 1967 is in the collection of the Centre Pompidou in Paris and was shown at the Guggenheim Museum as part of the Exhibition of Masterpieces from the Centre Pompidou. His work over the years has been extremely varied in materials and in tone, from the austere rigour of his flexible wooden ladders of the 1970s, to the ethereal lightness of his gauze pieces going on to the playfulness of his colourful Peintures qui perlent (Beading Paintings) which are painted wooden cubes and beads attached to a rigid framework. There are two main directions in his work: the first, his deconstruction of painting and its components (Ladders, Trellises, Cut Out Gauzes, Pavilions etc.) and the second, his creation of series of objects (Arms, Gathering Devices, and Receptacles) which evoke humanity's perennial activities. Dezeuze's drawings also can be grouped in these same two directions with the addition of his sensitive and delightful evocations of nature in his series La Vie Amoureuse des Plantes (subject of an exhibition at the Centre Pompidou in 1993), his numerous and colourful Butterflies and enigmatic Grotesques. His exhibitions have been numerous in France and abroad. He exhibited regularly at the Yvon Lambert Gallery in Paris from 1971 until 1991 and since that date at the Daniel Templon Gallery in Paris. Daniel Dezeuze also has a considerable body of written work. In 1971 he founded the review Peinture, cahiers théoriques with Louis Cane and Marc Devade with the help of the review Tel Quel. His theoretical articles from this review are included in the publication from the Ecole Nationale des Beaux-Arts de Paris of his writings. Also included are several interviews and a great part of his published poetry.