The Flagellation – (Master Of The Crucifixion In The Marienkirche At Dortmund) ◄ Previous Next ►

Artist: Master Of The Crucifixion In The Marienkirche At Dortmund

Date: 1400

Size: 58 x 43 cm

Museum: The Metropolitan Museum of Art (New York, United States Of America)

Technique: Plywood

Master of the Bremen Altarpiece

, a prominent figure in late medieval art, created The Flagellation, an exceptional piece that showcases his mastery over International Gothic style. This article delves into the painting's historical context and its significance within the artist's oeuvre.

Historical Context

The Flagellation

is part of a large altarpiece from the Neustädter Marienkirche in Bielefeld, Westphalia. The panels were created around 1400 and are among thirty scenes that formed an extensive narrative cycle within this monumental work. This period marked a transition between traditional Gothic art and the emergence of Early Netherlandish painting, which would revolutionize panel painting through artists like Jan van Eyck, Robert Campin, and Rogier van der Weyden.

International Gothic Style

The International Gothic style emerged in the late 14th century as a synthesis of French Rayonnant Gothic architecture, Italian motifs, and English illuminated manuscripts. It is characterized by its elegance, gracefulness, and intricate detailing. The Master of the Bremen Altarpiece was one of the foremost painters in northwest Germany during this period, adhering to traditional Gothic conventions while incorporating elements from Italian art.

The Flagellation

In The Flagellation, Christ is depicted being whipped by Roman soldiers as part of his Passion narrative. The painting showcases the artist's skill in rendering complex compositions with multiple figures and intricate details. The use of gold leaf on the background adds a sense of luxury and opulence to the scene, typical of International Gothic art.

Legacy

The Master of the Bremen Altarpiece played an important role in bridging the gap between traditional Gothic art and the innovations brought about by Early Netherlandish painters. His work influenced subsequent generations of artists, contributing to the development of Northern Renaissance painting. Today, The Flagellation remains a testament to the artist's skill and his significant contribution to the history of art.

Visit Wikioo.org for More Information

For more information on Master of the Bremen Altarpiece and other artists featured at https://Wikioo.org, explore our extensive collection of articles and resources dedicated to art history and appreciation. Discover fascinating insights into various artistic movements, techniques, and masterpieces that have shaped the world of visual arts throughout time.

Conclusion

In conclusion, The Flagellation by Master of the Bremen Altarpiece is a remarkable example of International Gothic artistry. Its intricate details and masterful execution exemplify the artist's skill in blending traditional Gothic elements with Italian influences to create a unique style that would pave the way for future artistic innovations. The Flagellation can be viewed at https://Wikioo.org/@@/D2Z7B7-, along with other works by the Master of the Bremen Altarpiece and other renowned artists from around the world. Explore our vast collection today to gain a deeper understanding and appreciation for the rich tapestry of art history.

References:

- The Flagellation by Master of the Bremen Altarpiece - Master of the Berswordt Altar | The Metropolitan Museum of Art - International Gothic - Wikipedia - Painting by 'Danish Unknown Goldsmith' | Danish Unknown Goldsmith:Madonna and Child Enthroned (78 x 42 cm,The Metropolitan Museum of Art (New York, United States Of America),Tempera,) - Painting by 'Danish Unknown Goldsmith' | Danish Unknown Goldsmith:Pietà (86 x 134 cm,Warsaw National Museum (Warsaw, Poland),Panel,) - Painting by 'Rueland The Elder Frueauf' | Rueland The Elder Frueauf:Flagellation ()### Response:../..