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550 Results found for abstract lines abstract lines

Total: 550
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Wall drawing #338: Two part drawing. The wall is divided vertically into two parts. Each part is divided horizontally and vertically into four equal parts. 1st part: Lines in four directions, one direction in each quarter. 2nd part: Lines in four directio
Wall drawing #338: Two part drawing. The wall is divided vertically into two parts. Each part is divided horizontally and vertically into four equal parts. 1st part: Lines in four directions, one direction in each quarter. 2nd part: Lines in four directio
Abstract Lines
Abstract Lines
Yellow lines flower
Yellow lines flower
Black with White Lines, Vertical Not Touching
Black with White Lines, Vertical Not Touching
Vertical Lines, Not Touching
Vertical Lines, Not Touching
Among the lines and stains
Among the lines and stains
Composition with Double Lines and Yellow (unfinished)
Composition with Double Lines and Yellow (unfinished)
White Lines
White Lines
animated lines
animated lines
Lines, Planes, Depth (Traists, plans, profondeur)
Lines, Planes, Depth (Traists, plans, profondeur)
Twisted black lines
Twisted black lines
Engineers Tending Telephone Lines
Engineers Tending Telephone Lines
Soldier's grave between the lines
Soldier's grave between the lines
Composition II With Black lines
Composition II With Black lines
Composition with two lines
Composition with two lines
Composition with Yellow Lines
Composition with Yellow Lines
Rhythm of Black Lines
Rhythm of Black Lines
The Inferno, Canto 10, lines 40-42. He, soon as there I stood at the tomb’s foot, Ey’d me a space, then in disdainful mood Address’d me. “Say, what ancestors were thine”
The Inferno, Canto 10, lines 40-42. He, soon as there I stood at the tomb’s foot, Ey’d me a space, then in disdainful mood Address’d me. “Say, what ancestors were thine”
The Inferno, Canto 11, lines 6-7. From the profound abyss, behind the lid Of a great monument we stood retir’d
The Inferno, Canto 11, lines 6-7. From the profound abyss, behind the lid Of a great monument we stood retir’d
The Inferno, Canto 12, lines 11-14. and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer
The Inferno, Canto 12, lines 11-14. and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer
The Inferno, Canto 13, lines 11. Here the brute Harpies make their nest
The Inferno, Canto 13, lines 11. Here the brute Harpies make their nest
The Inferno, Canto 15, lines 28-29. “Sir! Brunetto! And art thou here”
The Inferno, Canto 15, lines 28-29. “Sir! Brunetto! And art thou here”
The Inferno, Canto 18, lines 130-132. Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’
The Inferno, Canto 18, lines 130-132. Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’
The Inferno, Canto 19, lines 10-11. There stood I like the friar, that doth shrive A wretch for murder doom’d
The Inferno, Canto 19, lines 10-11. There stood I like the friar, that doth shrive A wretch for murder doom’d
The Inferno, Canto 21, lines 50-51. This said, They grappled him with more than hundred hooks
The Inferno, Canto 21, lines 50-51. This said, They grappled him with more than hundred hooks
The Inferno, Canto 22, lines 137-139. But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell.
The Inferno, Canto 22, lines 137-139. But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell.
The Inferno, Canto 23, lines 52-54. Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d
The Inferno, Canto 23, lines 52-54. Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d
The Inferno, Canto 23, lines 92-94. “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.”
The Inferno, Canto 23, lines 92-94. “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.”
The Inferno, Canto 24, lines 89-92. Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view.
The Inferno, Canto 24, lines 89-92. Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view.
The Inferno, Canto 25, lines 59-61. The other two Look’d on exclaiming. “Ah, how dost thou change, Agnello!”
The Inferno, Canto 25, lines 59-61. The other two Look’d on exclaiming. “Ah, how dost thou change, Agnello!”
Total: 550
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