科尼利斯·范德·盖斯特 – (Anthony Van Dyck) 上一页 下一页


艺术家:

尺寸: 37 x 32 cm

博物馆: National Gallery (London, United Kingdom)

术:

"In 这幅不寻常的画 , 艺术家代表了一个八角形的框架画 still-life 在水果和鲜花的质朴花环中的花朵 . 图片很机智 trompe-l'oeil 令观看者对广告的想法感到满意 " " 模仿自然 " " , 在 17th 世纪构成了非常存在的理由 d'etre 的 still-life 绘画 . 在里面 well-known 古代画家宙斯的故事 - 上面涂的葡萄是如此逼真,以至于鸟类试图吃掉它们 - 幻觉主义和自然主义的绘画价值从古典古代流派的开始就联系在一起 . 这幅画也可能直接受到了先例的启发 Zeuxis's 葡萄 . 画中的画代表了 Espinosa's 自己小 still-lifes . 这是画家签名的画 , 谁画了其他一些 still-lifes 贝壳充当花朵的花瓶 . 建议听 ( 流式 mp3 , 7 分钟 ) : 彼得·伊里奇·柴可夫斯基 : 胡桃夹子 , 芭蕾舞套房 , 运 . 71 , 花的华尔兹 "

This artwork is in the public domain.

艺术家

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Public domain

This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.