Plats: São Paulo
Född: 1931
Biografi:
Augusto de Campos, a renowned Brazilian writer and visual artist, was born in São Paulo, Brazil in 1931. He is widely recognized for being a founder of the Concrete poetry movement in Brazil, along with his brother Haroldo de Campos. Augusto de Campos is also a translator, music critic, and painter, with his works published in several languages and numerous awards for his contributions to literature and the arts.
Augusto de Campos began his career as a writer and poet, but soon expanded his creative horizons to include visual art. He is known for his unique blend of modernist techniques and Brazilian cultural influences. His paintings, such as Model Resting, showcase his mastery of light and color, as well as his ability to capture the essence of the Brazilian landscape.
The Concrete poetry movement, which emerged in the 1950s and 1960s, was a significant departure from traditional forms of poetry. Augusto de Campos, along with other notable artists like Carlos Alberto Zilio, played a crucial role in shaping this movement. The Concretism art movement, as it came to be known, emphasized the use of visual elements and sound to create a new kind of poetry.
Some of Augusto de Campos' notable works include L'Aube, Farm Gate, and The Invaders. These paintings have been exhibited at various museums, including the Museu Antonio Parreiras in Niterói, Brazil. The museum's collection of works by Antônio Parreiras is truly breathtaking, and the museum's exhibition program is always thought-provoking and engaging.
Augusto de Campos' contributions to the Concrete poetry movement and visual art have had a lasting impact on the Brazilian art scene. His work continues to inspire new generations of artists, and his legacy can be seen in the many museums and galleries that showcase his paintings. The Museu Antonio Parreiras is a testament to his enduring influence, and a must-visit destination for anyone interested in Brazilian art. Museu Antonio Parreiras (Niterói, Brazil) Wikipedia: Antônio Parreiras