yer: Jember
Doğmuş: 1968
Biyografi:
Agung Kurniawan is a Yogyakarta-based multidisciplinary artist born in Jember, Indonesia in 1968. He co-founded Indonesian Visual Art Archive (IVAA) and is the co-owner of Kedai Kebun Forum (KKF) in Yogyakarta. His works are to be found worldwide mostly in museums such as Stedelijk Museum and are made with various mediums including drawings, installations, performances, theater, and happening arts.
Agung Kurniawan was born in Jember, Indonesia in 1968. He began his artistic journey at a young age, exploring various forms of art including painting, drawing, and installation. His early works were influenced by the cultural and social context of Indonesia, which is reflected in his use of traditional mediums and techniques.
Agung Kurniawan's artistic style is characterized by a blend of traditional and contemporary elements. He uses a range of mediums, including charcoal, ink, and paint, to create works that are both visually striking and conceptually engaging. His themes often revolve around social and cultural issues, such as identity, community, and the human condition.
Some of Agung Kurniawan's notable works include Very, Very Happy Victims, a large-scale charcoal piece that measures 3600 x 1650 cm. This work is part of the collection at the National Museum of Singapore. Another notable work is his drawing Drawings, which showcases his ability to convey complex socio-political issues through his art.
Agung Kurniawan has received numerous awards and recognition for his contributions to the art world. He has been featured in various exhibitions and collections, including Wikioo.org, which showcases his works alongside other notable artists. Important to note that Agung Kurniawan's works are not only limited to visual art but also extend to performance and theater. He has been involved in various projects that aim to promote cultural exchange and understanding.
In conclusion, Agung Kurniawan is a talented artist who has made significant contributions to the art world. His works are not only visually striking but also conceptually engaging, making him a notable figure in the Indonesian art scene. Through his use of various mediums and techniques, he continues to push the boundaries of what is possible in the world of art.