Mujeres en el agua – (Armando Morales) Trước Kế tiếp


Artist:

ngày: 1970

viện bảo tàng: Inter-American Development Bank (Washington, United States)

Kỹ thuật: Paper

Nicaragua’s preeminent painter and printmaker of the twentieth century, Morales evolved out of abstraction in the 1970s as his work took a metaphysical turn, exploring the reaches of “magical realism” in tropical landscapes, still lifes, and female nudes. A leitmotif of his practice, the female figure is both classically inspired—as seen in the shadowing and delicate cross-hatching of

Artist

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