The isle of the dead (First Version) – (Arnold Bocklin) ◄ Trước Kế tiếp ►

Nghệ sĩ: Arnold Bocklin

chủ đề: Lakes Death Birth And Death

ngày: 1880

kích thước: 111 x 155 cm

viện bảo tàng: Öffentliche Kunstsammlung (Basel, Switzerland)

Kỹ thuật: Oil On Canvas

Isle of the Dead (German: Die Toteninsel) is the best-known painting of Swiss Symbolist artist Arnold Böcklin (1827–1901). Prints were very popular in central Europe in the early 20th century—Vladimir Nabokov observed in his novel Despair that they could be "found in every Berlin home". Böcklin produced several different versions of the mysterious painting between 1880 and 1886. All versions of Isle of the Dead depict a desolate and rocky islet seen across an expanse of dark water. A small rowboat is just arriving at a water gate and seawall on shore. An oarsman maneuvers the boat from the stern. In the bow, facing the gate, is a standing figure clad entirely in white. Just behind the figure is a white, festooned object commonly interpreted as a coffin. The tiny islet is dominated by a dense grove of tall, dark cypress trees—associated by long-standing tradition with cemeteries and mourning—which is closely hemmed in by precipitous cliffs. Furthering the funerary theme are what appear to be sepulchral portals and windows on the rock faces. The viewer is given the impression that the erect white figure is going to penetrate the dark bush between the light skin coloured cliffs, something which gives the surreal image another possible layer of interpretation. Böcklin himself provided no public explanation as to the meaning of the painting, though he did describe it as “a dream picture: it must produce such a stillness that one would be awed by a knock on the door.” The title, which was conferred upon it by the art dealer Fritz Gurlitt in 1883, was not specified by Böcklin, though it does derive from a phrase in an 1880 letter he sent to the painting’s original commissioner. Not knowing the history of the early versions of the painting (see below), many observers have interpreted the oarsman as representing the boatman Charon who ferried souls to the underworld in Greek mythology. The water would then be either the River Styx or the River Acheron and his white-clad passenger a recently deceased soul transiting to the afterlife.